Gentlemen
Castlebay - 1988 The Long Isle - 1989 The Peat Fire Flame - 1990 Down To he Shore - 1991 Harvest - 1992 Angels We Have Heard (1)- 1994 Faeries Hornpipe - 1994 Looking Home - 1995 The Skye Suite - 1996 Angels We Have Heard (2) 1997 Song of the Sea - 1998 The Ballad of Cappy John - 1999 Ladies - 1999 In a Garden Green - 2000 Sea & Skye - 2001 Gentlemen - 2002 Yuletide Treasure - 2002 Cottage & Castle - 2003 Ae Fond Kiss - 2003 Imram - 2004 The Night the Whiskey Froze - 2004 Islands In Time - 2006 Banks & Braes - 2007 The Grand Design* - 2007 Harvest Home - 2007 Going Home - 2008 Rantin', Rovin' Robin - 2009 Bards & Blarney - 2009 2010 Yuletide Revelry - 2010 Imbolc - Rekindling the Flame* - 2010 Festival of Faeries - 2011 John Earthy's Tavern* - 2012 Bound Away - 2015 Samhain - Banking the Fire - 2017 Winter Moon - 2019 Bygone Ballads of Maine, Vol I (book) 2021 Sundrie Aires - 2023 The Maid on the Shore - 2024
* These recordings have extensive notes.
Julia Lane - Celtic Harp, Voice
Fred Gosbee - Violin, Viola, Woodwinds, tuba, Voice
March of the King of Laois (4:08)
Traditional Irish
Barbara Burt, french horn
Our procession of Gentlemen begins with the elegant March of the King of Laois (pronounced "leash") It may have been composed for Ruari Og O'Mordha, king of an ancient Irish province
Ruari Dall's Jig / Sherrfimuir (3:37)
Traditional Scottish
Doreen Conboy, cello
Ruari Dall's Jig was made by a blind Scottish harper for his patrons on the Isle of Skye. Sherrifmuir was the site of an inconclusive battle in the Jacobite wars (1715)
Carolan's Draught (2:50)
Traditional Irish
Doreen Conboy, cello
Carolan's Draught, by Irish harper Turlough O'Carolan (1685-1735) celebrates his favorite libation.
Daft Robin (2:29)
Traditional Scottish
Daft Robin could be named for a mythical sprite, or perhaps just a dreamy young man.
King of the Faeries (6:35)
Traditional Irish
Brett Burnham, bones
According to Celtic myth, the King of the Faeries is a trickster and shapeshifter—listen for the magic. This tune is also known as Bonnie Prince Charlie or William of Orange - it was evidently popular across the political divide.
Lament for the Reverend Archie Beaton (3:36)
© 1981 George Mason
Lament for the Rev. Archie Beaton salutes a 20th century Ayrshire minister and champion of Gaelic culture
Dainty Davie (4:04)
Traditional Scottish
Ian MacHarg, Scottish smallpipes
Dainty Davie, a Scottish dandy, has at least two sets of lyrics, one by Robert Burns, with contrasting sensibilities.
Maurice O'Connor 2:56
Traditional Irish
Maurice O'Connor, another piece composed by O'Carolan, was made and named for one of his many patrons
When the King Came Over the Boyne / Lord Lovat's / The Iron Man / Angus Campbell (7:39)
Traditional
Traditional tunes are often played in sets as here. The last two were made by 19th century Scottish fiddler Scott Skinner.
Alden Robinson, fiddle (Iron Man/ Angus Campbell)
Sweet Jim (4:28)
© 2001 Fred Gosbee & Julia Lane
Sweet Jim is a tribute to our romantic friend and his lady love.
Two Laments for Owen Roe (5:26)
Traditional Irish
. Two Laments for Owen Roe commemorate a pair of Irish heroes, one of the pen and one of the sword. Owen Roe O'Sullivan, was a "sweet-mouthed" 18th century Munster poet and Gen. Owen Roe O'Neill won a strategic victory against Cromwell in 1646.
The Minstrel Boy (4:07)
Traditional Irish
Barbara Burt, french horn
Laura Lee Perkins, alto flute
Doreen Conboy, cello
The Minstrel Boy has lyrics by Thomas Moore and is a moving salute to courage and conviction in the face of adversity.
2019-12-01 © Castlebay, Inc.
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